IMAGE EVALUATION TEST TARGET (MT-3) ^^ /J^4^ 1.0 !f' I.I 21 12,5 2.2 ^^ 1^ 11^ — t 1^ iio 1.8 1.25 1.4 1.6 * 6" ► Ta A '/ /A Hiotographic Sciences Corporation 23 WIST MAIN STREET WEBSTER, N.Y. MS80 (716) S73-4S03 CIHM/ICMH Microfiche Series. CIHIVI/ICIVIH Collection de microfiches. Canadian Institute for Historical Microreproductions Institut Canadian da microreproductions historiques 1980 i Tachnieal and Bibliographic Notaa/Notas tachniqua* at bibliographiquaa T t< Tha Inatituta haa attamptad to obtain tha baat original copy availabia for filming. Faaturaa of thia copy which may ba bibllographically unlqua. which may altar any of tha Imagaa in tha raproduction. or which may aignificantly changa tha uaual mathod of filming, ara chacliad balow. D D D D D D D D D Coiourad covara/ Couvartura da coulaur Covara damagad/ Couvartura andommagte Covara raatorad and/or laminatad/ Couvartura raataurte at/ou palliculAa Covar titia miaaing/ La titra da couvartura manqua Coiourad mapa/ Cartaa gtegraphiquaa an coulaur Coiourad init (i.a. othar than blua or blacic)/ Encra da coulaur (i.a. autra qua blaua ou noira) Coiourad plataa and/or illuatrations/ Planchas at/ou illuatraticna an coulaur Bound with othar matarial/ RallA avac d'autraa documanta rt^ Tight binding may cauaa ahadowa or diatortion D along intarior margin/ La raliura sarrAe paut cauaar da I'ombra ou da la diatortion la long da la marga IntAriaura Blanic laavaa addad during raatoration may appaar within tha taxt. Whanavar poaalbia, thaaa hava baan omittad from filming/ il aa paut qua cartainaa pagaa blanchaa ajoutiaa lora d'una raatauration apparaiaaant dana la taxta, maia, loraqua cala Atait poaalbia, caa pagaa n'ont paa At A fiimAaa. Additional commanta:/ Commantairaa aupplAmantairaa.- L'Inatitut d microf llmA la maillaur axamplaira qu'il lui a M poaalbia da aa procurar. Laa dAtaila da cat axamplaira qui aont paut-Atra uniquaa du point ia vua bibliographiqua, qui pauvant modifiar una imaga raproduita, ou qui pauvant axigar una modification dana la mAthoda normala da filmaga aont IndlquAa ci-daaaoua. nn Coiourad pagaa/ D Pagaa da coulaur Pagaa damagad/ Pagaa andommagAaa Pagaa raatorad and/oi Pagaa raataurAaa at/ou palliculAaa Pagaa diacolourad, atainad or foxat Pagaa dAcolorAaa, tachatAaa ou piquAas Pagaa datachad/ Pagas dAtachAas Showthroughy Tranaparanca Quality of prir QualltA inAgala da I'impraaaion Includaa aupplamantary matarli Comprand du matArlal aupplAmantaira Only adition availabia/ Saula Adition diaponibia I — I Pagaa damagad/ I — I Pagaa raatorad and/or laminatad/ r~7T Pagaa diacolourad, atainad or foxad/ r~~| Pagaa datachad/ j I Showthrough/ I I Quality of print variaa/ I I Includaa aupplamantary matarial/ r~~| Only adition availabia/ Pagaa wholly or partially obacurad by errata alipa, tiaauaa, ate, hava baan rafilmad to anaura tha baat poaalbia imaga/ Laa pagaa totalamant ou partialiamant obacurciaa par un fauillat d'arrata, una palure, ate, ont AtA filmAaa A nouvaau da fapon A obtanir la maillaura imaga poaaibla. T P o fi O b tr ai ot fii ai oi Tl al Tl M dl ar bt ri| ra mi Thia itam la filmad at tha reduction ratio chaclcad balow/ Ca document eat filmA au taux da rAduction indiquA ci-daaaoua. 10X 14X 18X 22X 26X aox J 12X 16X 20X 24X 28X 32X Th« copy film«d h«r« has baon raproducad thanks to tha ganarosity of: National Library of Canada L'axamplaira filmt fut raproduit grAca A la gAntrositA da: BibliothAqua nationala du Canada Tha imagat appaaring hara ara tha bast quality possibia consldaring tha condition and lagibiiity of tha original copy and in kaaping with tha filming contract spacifications. Original copias in printad papar covars ara filmad baginning with tha front covar and anding on tha last paga with a printad or illustratad impras- sion, or tha back covar whan appropriata. All othar original copias ara filmad baginning on tha first paga with a printad or illustratad impras- sion, and anding on tha last paga with a printad or illustratad imprassion. Tha last racordad frama on aach microflcha shall contain tha symbol ^^- (moaning "CON- TINUED"), or tha symbol y (moaning "END"), whichavar applias. Maps, platas, charts, ate. may ba filmad at diffarant raduction ratios. Thosa too larga to be antiraly included in ona axposura ara filmad baginnir.g in tha uppar laft hand corner, left to right and top to bottom, as many frames as required. The following diagrams illustrate the method: Lea images suivantas ont AtA reproduites avac le plus grand soin, compta tenu de la condition at da la nattet* da rexemplaire fiimA, et en conformity avac las conditions du contrat de filmage. Lea exemplaires originaux dont Ir couverture en papier est ImprimAe sont filmto en commenqant par la premier plat at en terminant soit par la darnlAre page qui comporte une empreinte d'impression ou d'illustration, soit par le second plat, salon le cas. Tous las autres exemplaires originaux sont filmAs en commenpant par la pramiAre page qui comporte une empreinte d'impr'sssion ou d'illustratic.i et en terminant par la darniAre page qui comporte une telle empreinte. Un des symboles suivants apparaftra sur la darnlAre image de cheque microfiche, selon le cas: le symbols — »> signifie "A SUIVRE". le symbols V signifie "FIN". Les cartes, planches, tableaux, etc., peuvent Atre filmAs A des taux de rAduction diffArents. Lorsque le document est trop grand pour Atre reproduit en un seul clichA, il est filmA A partir da I'angle supArieur gauche, de gauche A droite, et de haut en bas, en prenant le nombre d'images nAcessaire. Les diagrammas suivants illustrent la mAthoda. 1 2 3 1 2 3 4 5 6 0 BETH WOODBURN I /u E Moh p. /// /^ BETH WOODBURN. BY MAUD PETITT. TORONTO: WILLIAM HRICGS, 29-33 Richmond Street West. Montreal: C. W. COATFS. Halifax : S. F. HUESTIS. 1897. PETrrr^ M Enterrd according to Act of the Parliament of Canada, in the year one thousand eight hundred and ninety Be ven, by Wioliam Brioos, at the Department of Agriculture. in the year one I Bkioom, at the Co /Rs ^otbcr THIS MY FIRST BOOK IS LOVINGLY DEDICATED. r f i. CONTENTS. ClIAPTKK I. TAOK Ik'tli at KiglitotMi . 9 (.'llAI'TKK II. A Dirain <*f Life 21 ClIAI'TKK III. Whillier, IVtli? [\0 Chai'TKR IV. Millie 42 ClIAI'TKR V. " For I Love You, H.'tir' 47 ClIAPTKR VI. Varsity Ja ClIAITER VII. KikUvI 64 Chaptkr VIII. The Ht'avenly ('aiiaaii 78 ClIAPTKR IX. Varsity Again 95 (.'HAI'TKR .\. Death . . ." II3 Chaptkr XI. '-♦ ve 124 Chapter XII. Farewell I37 ri til Br it dk hil .sp( tin del tac eac wa UIK trei BliTII WOODBURN. CHAPTKH T. BETH AT EIGHTEEN. } In the ^oo()ssession of the tine old manor beside the lake, and she had ])ecome friends with the only daughter, Edith, at school, and then with Clar- ence. Clarence wrote such pretty little poems, too. This had been the foundation of their friendship, and, since their tastes and ambitions were so nnich alike, what if — Her eyes grew brighter, and she almost fancied he was looking down into her face. Oh, those eyes — hush, maiden heart, be still. She smiled at the white cloud drifting westward — a little Iniat-shaped cloud, with two white figures in it, sailing in the sunnner blue, 'i'he breeze rutHed her dark hair. There fell a louir shadow on the grass beside her. "Clarence — Mr. Mayfair ! I didn't see you coming. When did you get home ? " 14 liETH WOODUrUN. I !i 1 1 ; . 1 " Last nij^ht. I .stayed hi 'roronto till tlio report of our * exams ' came out." " I see you have been successful," she replied. " Allow me to con trratu late you." " Thank you. I hear you are comin<( to 'Varsity this fall, Miss Woodljiu-n. Don't you think it (juite an undertaking ? I'm sure I wisli you joy of the hard work." " Why, I hope you are not wearying of your course in the middle of it, Mr. May fair. It is only two years till you will have your B.A." " Two years' hard work, though ; and, to tell the truth, a B.A. has lost its charms for me. I long to devote my life more fully to literature. That is my first ambition, you know, and I seem to be wasting so much time." " You can hardly call time spent that way wasted," she answered. " You will write all the better for it by and by." Then they plunged into one of their old-time literary talks of authors and books and ambi- tions. Beth loved these talks. There was no one else in BriarsHeM she could discuss these matters with like Clarence. She was noticing meanwhile how nuich paler he looked than when she saw him last, but she admired him all the more. There are some women who love a man all the more for bein£r delicate. It jrives III BETH AT EIGHTEEN. 15 tliein better opportunities to display their wo- manly tenderness. Beth was one of these. " By the way, I nmstn't forget my errand," Clarence exclaimed after a lon^ chat. He handed her a dainty little note, an invita- tion to tea from his sister Edith. Beth accepted with pleasure. She blushed as he pressed her hand in farewell, and their eyes met. That look and touch of his went very deep — deeper than they should have gone, perhaps ; but the years will tell their tale. She watched him goinj; down the hill-side in the afternoon sunshine, then fell uo dreaming again. What if, after all, she should not alwa3^s stay alone with daddy ? If someone else should come — And she began to picture another study where she should not have to write alone, but there should be two desks by the broad windows looking out on the lake, and somebody should — " Beth ! Beth ! come and set the tea-table. My hands is full with them cherries." Beth's dream was a little ruflely broken by Mrs. Martin's voice, l>ut she complacently rose and went into the house. Mrs. Martin was a small grey-haired woman, very old-fashioned; a prim, goo> 18 HETH WOODHIJUN. i 1 I I , I i witli Ikt tin-pail on her arnj, started up the roae r()a the lesson once or twice, and she noticed Arthur in the opposite corner teaching a class of little j^irls — little tots in white dresses. He looked so pleased and self -forgetful. Both ha